
Stations of the Cross — Fourteen Panels, Diagonal Wash (Grid Set)
Fourteen watercolor scenes hold a steady rhythm of negative space and soft ink wash. Christ appears in three-quarter view with a lowered gaze, the cross kept close and plainly drawn.

Fourteen watercolor scenes hold a steady rhythm of negative space and soft ink wash. Christ appears in three-quarter view with a lowered gaze, the cross kept close and plainly drawn.

Christ rests on a stone slab within a spare tomb, his body set on a quiet diagonal. Open space and softened edges hold the scene in measured silence.

A restrained watercolor scene where Christ is lowered in a slanting descent, carried by steady hands. The cross holds the space behind them in quiet, spare tones.

A crucified figure rests off-center against open space, the body pitched forward in a quiet collapse. Earth tones and paper texture keep the scene spare and steady.

An off-center figure meets a vertical cross in a restrained wash, with extended arms and a forward tilt. Open space and paper texture keep the moment stark and legible.

A spare watercolor scene where the body shifts under a downward pull, set against open paper space. The diagonal cross anchors the moment without added narrative detail.

A bowed figure folds toward the ground as the cross skews across the body. Soft wash, paper grain, and open space hold the moment in quiet suspension.

A restrained watercolor scene: Christ leans into the cross, body turned toward a small group behind him. Sparse ground and paper texture keep the burden central.

Christ’s body folds forward under a slanted cross, set slightly off-center against open space. Watercolor restraint and paper texture hold the pause between motion and collapse.

Jesus moves forward beneath the cross as Veronica leans in from the left, cloth raised to His cheek. Earth-toned washes and open space hold the brief contact in silence.